Quarter 1 Bibliography
AHAA:. The Everything Space, Montpelier. 2 Sept. 2016. Performance. This was a real life example of avant-garde/performance in the real world, that I had a chance to see.
Gutierrez, Miguel. "Miguel Gutierrez." Miguel Gutierrez. N.p., n.d. Web. I have watched videos of many performances by Miguel Gutierrez, and read about his work on this site.
Gutierrez, Miguel. When You Rise Up: Performance Texts. Brooklyn, NY: 53rd State, 2009. Print. Performance Texts by an artist whose work I have been looking at.
Hanna, Judith Lynne. Dance, Sex and Gender: Signs of Identity, Dominance, Defiance, and Desire. Chicago: U of Chicago, 1988. Print. I've been reading this book as part of my exploration of movement and dance as performance art.
Schechner, Richard. Performance Studies: An Introduction. New York: Routledge, 2010. Print. This is a textbook about performance art.Artaud, Antonin. The Theater and Its Double. New York: Grove, 1958. Print. This is a book about theater theory, I have been thinking about the ideas presented here in relation to my production of Spinning.
Boal, Augusto. Games for Actors and Non-actors. London: Routledge, 1992. Print. I used this book to learn about Theater of the Oppressed and to lead games for Spinning.
Boal, Augusto. Theatre of the Oppressed. New York: Theatre Communications Group, 1985. Print. I used this to learn about Theater of the Oppressed.
Banks, Iain. The Wasp Factory: A Novel. New York, NY: Scribner Paperback Fiction, 1998. Print. I read this book.
Spolin, Viola, Paul Sills, and Carol Sills. Theater Games for the Lone Actor. Evanston, IL: Northwestern UP, 2001. Print. I used this book to develop my skills as an individual performer in Zero Hour.
Spolin, Viola. Theater Games for Rehearsal: A Director's Handbook. Evanston, IL: Northwestern UP, 1985. Print. I used this book to lead games during The People and Poet's Heart.
"The Brief Bedford Reader." Google Books. N.p., n.d. Web. 15 Sept. 2016. I am using this book to develop my writing skills.
Lockart, E. When We Were Liars. N.p.: n.p., n.d. Print. This is an adaptation of King Lear.
Moore, Christopher. Fool. N.p.: n.p., n.d. Print. This is an adaptation of King Lear.
Ran. Dir. Akira Kurosawa. 1985. DVD. This is a film adaptation of King Lear.
Shakespeare, William. King Lear. Comp. Kenneth Muir. Cambridge, MA: Harvard UP, 1959. Print. This is actually King Lear.
Smiley, Jane. A Thousand Acres. New York: Knopf, 1991. Print. This is an adaptation of King Lear.
"UbuWeb." UbuWeb. N.p., n.d. Web. I use ubuweb to discover artists, and to find inspiration.
Rapti, Vassiliki. Ludics in Surrealist Theatre and Beyond. N.p.: Ashgate Group, 2013. Print. This book, part of my studies last year, talks about surrealist theater.
Amy Koenigbauer. My Pilot Advisor, and Pilot Art advisor.
Chris Blackburn. My Pilot English advisor.
Erin Galligan-Baldwin. I meet with Erin and talk about my projects and theater.
Gutierrez, Miguel. "Miguel Gutierrez." Miguel Gutierrez. N.p., n.d. Web. I have watched videos of many performances by Miguel Gutierrez, and read about his work on this site.
Gutierrez, Miguel. When You Rise Up: Performance Texts. Brooklyn, NY: 53rd State, 2009. Print. Performance Texts by an artist whose work I have been looking at.
Hanna, Judith Lynne. Dance, Sex and Gender: Signs of Identity, Dominance, Defiance, and Desire. Chicago: U of Chicago, 1988. Print. I've been reading this book as part of my exploration of movement and dance as performance art.
Schechner, Richard. Performance Studies: An Introduction. New York: Routledge, 2010. Print. This is a textbook about performance art.Artaud, Antonin. The Theater and Its Double. New York: Grove, 1958. Print. This is a book about theater theory, I have been thinking about the ideas presented here in relation to my production of Spinning.
Boal, Augusto. Games for Actors and Non-actors. London: Routledge, 1992. Print. I used this book to learn about Theater of the Oppressed and to lead games for Spinning.
Boal, Augusto. Theatre of the Oppressed. New York: Theatre Communications Group, 1985. Print. I used this to learn about Theater of the Oppressed.
Banks, Iain. The Wasp Factory: A Novel. New York, NY: Scribner Paperback Fiction, 1998. Print. I read this book.
Spolin, Viola, Paul Sills, and Carol Sills. Theater Games for the Lone Actor. Evanston, IL: Northwestern UP, 2001. Print. I used this book to develop my skills as an individual performer in Zero Hour.
Spolin, Viola. Theater Games for Rehearsal: A Director's Handbook. Evanston, IL: Northwestern UP, 1985. Print. I used this book to lead games during The People and Poet's Heart.
"The Brief Bedford Reader." Google Books. N.p., n.d. Web. 15 Sept. 2016. I am using this book to develop my writing skills.
Lockart, E. When We Were Liars. N.p.: n.p., n.d. Print. This is an adaptation of King Lear.
Moore, Christopher. Fool. N.p.: n.p., n.d. Print. This is an adaptation of King Lear.
Ran. Dir. Akira Kurosawa. 1985. DVD. This is a film adaptation of King Lear.
Shakespeare, William. King Lear. Comp. Kenneth Muir. Cambridge, MA: Harvard UP, 1959. Print. This is actually King Lear.
Smiley, Jane. A Thousand Acres. New York: Knopf, 1991. Print. This is an adaptation of King Lear.
"UbuWeb." UbuWeb. N.p., n.d. Web. I use ubuweb to discover artists, and to find inspiration.
Rapti, Vassiliki. Ludics in Surrealist Theatre and Beyond. N.p.: Ashgate Group, 2013. Print. This book, part of my studies last year, talks about surrealist theater.
Amy Koenigbauer. My Pilot Advisor, and Pilot Art advisor.
Chris Blackburn. My Pilot English advisor.
Erin Galligan-Baldwin. I meet with Erin and talk about my projects and theater.